Sunday, 13 November 2011

Pata Chitra/Icon Painting of Orissa


The patachitras of Orissa are icon paintings that include the wall paintings, manuscript painting, palm-leaf etching, and painting on cloth, both cotton and silk. Chitrakar painters in and around Puri practice this living art form. The village of Raghurajpur is where many chitrakars live in an area dedicated to them called Chitrakar Sahe. This art of painting on cloth can be traced back to the establishment of the shrine of Lord Jagannath at Puri in Orissa.

The patachitra when painted on cloth follows a traditional process of preparation of the canvas. First the base is prepared by coating the cloth with the soft, white, stone powder of chalk and a glue made from tamarind seeds. This gives the cloth tensile strength and a smooth, semi-absorbent surface, allowing it to accept the paint. The artist does not use a pencil or charcoal for the preliminary drawings. It is a tradition to complete the borders of the painting first. The painter then starts making a rough sketch directly with the brush using light red and yellow. The main flat colours are applied next";" the colours used are normally white, red, yellow, and black. The painter then finishes the painting with fine stokes of black brush lines, giving the effect of pen work. When the painting is completed it is held over a charcoal fire and lacquer is applied to the surface. This makes the painting water resistant and durable, besides giving it a shining finish.

The materials used in the paint are from vegetable, earth, and mineral sources. Black is made out of lampblack, yellow from haritali stone, and red from hingal stone. White is prepared from crushed, boiled, and filtered shells. The subject matter of the patachitras include religious, mythological, and folk themes. Krishna leela and Lord Jagannath are important motifs.

The patachitra artists also paint their themes on wooden boxes, on bowls, on tassar silk, on outer shells of the coconut, and on wooden doors. They are also working on producing painted wooden toys based on animals and birds portrayed in the paintings. The English alphabet is cut in the wood and painted in the patachitra style for sale. The artists have also traditionally painted playing cards or Ganjifa. Chitra-pothies --- a collection of painted palm leaves stacked on top of each other and held together between painted wood covers by means of a string --- illustrate mythological themes.

Patachitra paintings were traditionally drawn by the mahapatras or maharanas, the original artiste caste in Orissa. These paintings became an important art form with the ornamentation of Lord Jagannath in the innermost sanctum, where paintings on especially treated cloth or pata of the deities were done by the temple painter. The themes were tribal and folk.

Patachitra Paintings Style


Pattachitra refers to the folk painting of the state of Orissa, in the eastern region of India. The painting is done on cloth which the artists prepare themselves by coating it with a mixture of chalk and and gum made from tamarind seeds to give the surface a kind of a leathery finish on which the artists paint with earth and stone colors.

'Patta' in Sanskrit means 'Vastra' or 'clothings'. Some think it to be paintings done on 'Pata' or wood. Nevertheless, these paintings are also done on 'Pata' or wooden covers of palm-leaf manuscripts.

The tradition of Pattachitra is closely linked with the worship of Lord Jagannath and claims a distinct place of its own because of its exquisite workmanship. Apart from the fragmentary evidence of paintings on the caves of Khandagiri and Udayagiri and Sitabhinji murals of the Sixth century A.D., the earliest indigenous paintings from Orissa are the Pattachitra done by the Chitrakars (the painters are called Chitrakars). They do not belong to any particular place but the district of Puri has the highest concentration of Chitrakars.


The theme of Orissan painting centres round the Vaishnava cult. And for these, Jagannath, the main manifestation of Vishnu in the great temple of Puri in Orissa, is the major source of inspiration. The subject matter of Patta Chitra is mostly mythological, religious stories and folk lore. Themes are chiefly on Lord Jagannath and Radha-Krishna, though we also find a few Ramayana and Mahabharata themes in them. The individual paintings of gods and goddesses, different "Vesas" of Jagannath, Balabhadra and Subhadra, temple activities, the ten incarnations of Vishnu basing on the 'Gita Govinda' of Jayadev, Kama Kujara Naba Gunjara are also painted. High praise is given by art critics to Patta Chitra for their strange and fantastic pictorial conceptions, the pictorial and idiosyncratic conventions, the strange and summary system of line formulation and the deliberately wayward colour schemes."